![]() This is the plugin I’m most excited to use in my workflow, and remind me a lot of FilmConvert that so many filmmakers use now. They were shot, scanned, and processed using real film stocks to help emulate the process as real as possible. Magic Bullet Film is as simple plugin (think Mojo simple) that allows you to simulate various film stocks to get that cinematic filmic look rather than your typical digital looking images. They also dropped the Power Mask feature, encouraging us to use the built-in features of our host applications. ![]() There’s also 198 new presets redesigned and built by Stu Maschwitz, which look much better in my opinion.Ĭolorista III also added the Shadows/Highlights tool, updated their Curves feature to support manual multi-point adjustments, a vignette slider (finally), and support for Final Cut X. Most importantly, there are 9 new tools including the Colorista Tool, the 4-Way Color Corrector, a Shadow/Highlights tool (similar to Lightroom’s feature), a Color Space tool, film stock simulations, and a slew of other things. Magic Bullet Looks 3 has a resigned interface, and while the layout remains the same, the UI elements are more slick, flat, and polished. I personally use these set of tools constantly and love it, so let’s talk about what’s new. Red Giant released Magic Bullet Suite 12 recently, which is a hefty and much welcomed update to the popular coloring suite for various host applications. Note, this is basically the “Color Suite,” a title they are ditching and reverting back to “Magic Bullet Suite,” with good reason too.
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